An exceptionally rare piece of slide guitar history. Very few guitar builders have made such a name for themselves, that they became synonymous with some element of the craft itself. Builders like Hauser and Fender have done this, but one must not forget the impact of Hermann Weissenborn's instruments on lap steel guitars.

This thin bodied prototype instrument was handmade in 1913 by Hermann Weissenborn - possibly one of the first dozen produced. Constructed with very fine spruce & Birdseye maple, it is quite the stunning instrument visually - one that has held up well over the last century. While being otherwise unmarked, the history and provenance of this instrument was noted by author of "From Harp Guitars to the New Hawaiian Family: History & Development of the Hawaiian Steel Guitar", George T. Noe.
Noe noted that he had in his possession a sister instrument to this currently listed model. While this instrument appears in immaculate condition, it had been serviced by esteemed craftsman Kenny Char of Portland OR. Its varnish finish has been reapplied by Char, looking just as it should from its inception. Char also reproduced a bone nut for this instrument.
A fabulous instrument, certainly for any collector, that produces unbelievable tone and volume given its unique thinner, Larson-esque body. The fully hollow instrument sports a simple rosette with a nice koa wood bridge (with fret wire saddle). Brilliant overtones, it sings well in every position, and surely belongs amongst a high grade collection.

Includes newer Gold Tone hardshell case.