CLOSET CASE!! Made in Italy; off-set body design profusely adorned in glittering white pearloid on top, featuring a 24.5" scale neck w/ substantial profile; ebony fretboard with propeller position markers, jumbo sized frets (zero-fret present), long bound peghead w/ six-per-side geared tuning machines (MADE IN ITALY stamped on backside); original EKO branded truss-rod cover present. Outfitted with four highly notable pickups top-capped in pearloid; two respective wheels for tone/volume, six... Read More

A full-size 16” thinline in our new Antique Varnish. Carved Spruce Top, Deluxe Laminate back and sides with plenty of tone and attitude! Dual TV Jones pickups. Neck Material: 3 pieceMaple Fingerboard: Ebony Fingerboard Radius: 12" Nut Material: Bone Nut Width: 1-11/16" Fretwire: 22-Jescar FW47104-P Scale Length: 25" Body Dimensions: 16" X 1-3/4" Body Top: Carved Spruce Body Back/Sides: Laminate Flamed Maple F-Holes: Yes F-Hole Binding Material: 3 wood multi-ply Cutaway:... Read More

Herringbone trim top and Brazilian rosewood back and sides; Martin OM models are the finest flat-top steel-string guitars ever made. The OM-28 was produced from 1929 through 1933. It was the first model offered with a 14-fret neck. This instrument has the belly bridge and large pickguard. Retains original bar frets. Four well-repaired top cracks; pickguard crack, treble side above pickguard, one parallel w/ fingerboard on bass side, behind bridge. Period tuners, slightly later than guitar.... Read More

From the Russell Cleveland Collection as featured on page 81 of "The Classical Guitar". Featuring a western red cedar top, with Brazillian rosewood back and sides, mahogany neck with 25-1/5" (648mm) scale length, and is outfitted with silver Landsdorfer tuners w/ pearl buttons. In near-pristine condition; a tap-plate was added at the early stages of its life. This is an incredibly significant guitar, quite possibly one of the last instruments undertook by Herman Hauser II (1911-1988) and one of... Read More

11 inch spunover rim, hardware complete with 30 hooks and nuts. The mahogany neck has very fancy pearl inlays in the fingerboard, and bears an engraved plate which reads "Sonntag's Parlor Banjo"; tension hoop is also engraved. Likely constructed by Buckbee, bears resemblance to a Dobson Victor. Nearly invisible crack on the back of the neck. Structurally sound and guaranteed! Read More

Incredibly slick, this is a semi-hollow, single-cut tribute to guitar great Howard Roberts, in a jet-black ebony finish; bound top/back. Equipped with two humbucking pickups, tune-o-matic bridge, Gibson tuners, and a six-finger tailpiece; all hardware is gold-plated. Bound neck; ebony fretboard w/ pearl position markers; Gibson logo on peghead. This example is in excellent shape, surface scratching present throughout, minimal binding shrinkage, finish wear from playing on side of neck on side... Read More

This is an exquisite custom order Neapolitan style mandolin from the C. F. Martin company. It has the letters G. J. E. M. inlayed in the peghead. The tuners are "Handel" style with inlayed buttons. There are 42 Rosewood ribs fluted and joined with Ivory. The bridge is Ivory. The pick guard is symmetrical under the strings with ornamental inlay. The top, fingerboard and the sides are bound in Ivory. Abalone trim borders the top and the fingerboard and peghead are delicately inlaid with mother... Read More

This is a round shouldered jumbo, natural finish spruce over mahogany, Brazilian rosewood fingerboard & bridge. 2 scalloped tonebars, multiple bound top & back (catalogued as single bound but all original and only seen on these late models), refinished top (possibly replaced bridge), cute Mexican decal & decoration looks old and most likely by first owner. 1 small repair in side (lower bout, treble side), old refret and slight planing of fbd, period correct tuners are probably replacements, new... Read More

First introduced in 1961, the Barney Kessel Custom model features two Florentine cutaways, bowtie inlays, musical note peghead inlays, all hardware is gold-plated. Three-piece maple neck with 25.5 scale, 20 frets. Beautiful cherry-sunburst solid spruce top with 17" lower bout, back/sides are solid maple. Bound peghead, neck, top/back/sides. Original humbuckers. This is a rare example from 1970 and is in excellent condition, no cracks or repairs, just expected finish checking present. FON# 48293... Read More

Rare example attributed to Hexum P. Kent, who was an engraver based in Providence, Rhode Island. 10" all metal rim that curves slightly at the top edge forming a tone ring. The hardware features 14 star shaped shoes. The fretted mahogany neck features a 25-7/8" scale with an extremely unusual peghead shape with marquetry ornamentation in the face and figuratively carving on the back. The most unusual feature however is the shape of the neck with has a cantilevered fingerboard starting at the... Read More